Studio Theatre records

ArchivalResource

Studio Theatre records

1975-2010

Founded in 1978 through collaboration between artistic director Joy Zinoman, designer Russell Metheny, and arts advocate Virginia Crawford, The Studio Theatre has grown into a premiere cultural organization of Washington D.C. With four performance spaces, a partnership with the Acting Conservatory, and numerous community outreach programs, Studio Theatre is able to deliver a diverse array of special events, performances, and professional and educational training. The Studio Theatre records contain the professional materials of The Studio Theatre, such as financial documents, production materials, renovation and expansion documents, board minutes and information, awards, press materials, and photographs as well as pre-Studio and personal materials of the founding members.

168.00 linear feet; 440 megabytes

eng, Latn

Related Entities

There are 2 Entities related to this resource.

Studio Theatre (Washington, D.C.)

http://n2t.net/ark:/99166/w6z42rjx (corporateBody)

Now in its 41st season, Studio has carved out a distinctive place for itself by investing in excellence up close and by producing plays of big ideas on a human scale—plays that challenge assumptions, spark conversations, and offer both surprise and connection. Over its four decades, Studio has produced an eclectic mix of works that reflect the contemporary world, offering a repertoire of provocative new and contemporary writing from around the world and inventive stagings of contemporary classic...

Studio Theatre Archives, The

http://n2t.net/ark:/99166/w6167ttj (corporateBody)

The Studio Theatre began in 1978 as a collaboration between Artistic Director Joy Zinoman and Designer Russell Metheny with support of arts advocate Virginia Crawford. Prior to the beginning of TST, Metheny and Zinoman had worked together on successful productions for Washingtons West End Theatre. The Studio Theatre strives to produce plays that focus on interaction between actor and audience and thus has used intimate performance spaces since its founding. In the late 1980s two mor...